Dave Barry Reads Archy and Mehitabel

Dave Barry Second in a video series. Scroll down for a link to the video.

Archy the cockroach was the embodiment of reincarnation — he had been a poet in a past life, after all, and spent his insect days tapping out verse on a typewriter. So it’s entirely within reason to speculate who might be the reincarnation today of Don Marquis.

My vote would be for Dave Barry. Like Marquis, Barry was one of the most celebrated newspaper columnists of his era, using humor to shine a spotlight on the human condition. He wrote weekly columns in The Miami Herald from 1983 to 2005 that were devastatingly funny, and he won the Pulitzer Prize for commentary in 1988 for “his consistently effective use of humor as a device for presenting fresh insights into serious concerns.” Like Marquis, he has continued writing humor to great effect after leaving the grind of newspaper journalism, with 37 books to his name at last count.

The New York Times has called Barry “the funniest man in America.” The novelist Stephen King put it another way, declaring, “While reading Dave Barry’s ‘Big Trouble’ (Putnam, 1999), I laughed so loud I fell out of a chair. Luckily, there’s a rug, so I didn’t hurt myself.” On a personal level, one of Barry’s column’s from 1985 reduces this writer to disabling fits of laughter even today, after dozens of readings. It is titled “Ask Mr. Manners” and attempts to prepare a young parent for all the horrifying atrocities in store when hosting a birthday party for a preschool child. Popular themes for a young boy’s party, according to Barry, include action figures such as He-Man, G.I. Joe, The A-Team and the always-popular “Testosterone Bob’s Hurt Patrol.”  

When he was asked to recite a few lines from “archy and mehitabel,” Barry chose an excerpt from one of the funniest distillations of humor ever put onto paper: “certain maxims of archy.” His video is short and sweet. It is the second in a series of self-made videos on the occasion of the 100th anniversary of Archy and Mehitabel’s first appearance in print, on March 29, 1916 — a yearlong celebration called archyFest.

Thank you, Dave Barry!

Here is his video: 

These videos were conceived by John Batteiger, creator of DonMarquis.com, and edited by Brandon Cuicchi. We are asking a variety of public figures to take a video of themselves reading a selection from one of Marquis’s “archy” books, using a cellphone camera or other simple video recorder. Our goal: “One take, no big production, all for fun.” We plan to present a new video every week (or so) through the end of 2016. If you or someone you know would be interested in recording a video, please contact Batteiger by email at johnbatt (at) me.com.

Next week: Calvin Trillin!

Neil Gaiman Reads Archy and Mehitabel

Neil Gaiman First in a video series. Scroll down for a link to the video.

Novelist and comic-book writer Neil Gaiman counts Don Marquis’s “archy and mehitabel” among his favorite books. One of his top five, in fact. 

Gaiman has mentioned Marquis in several interviews over the years, and he included Marquis in a rambling and fabulous statement of beliefs in his blockbuster 2001 novel, “American Gods,” in which one of the main characters, Samantha Black Crow, declares, in part: “I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.”

Gaiman first read “archy and mehitabel” many years ago, and it continues to fascinate him. In a 2011 Australian radio broadcast, he included it in a discussion of his five most favorite books.

“Don Marquis was an American humorist and occasional poet and newspaper journalist, and he created Archy and Mehitabel,” Gaiman said on The Book Show, aired by ABC Radio National. “Archy was a free-verse poet who, for the crime of being a free-verse poet, was condemned to be a cockroach forevermore, in every future life, and he is a cockroach who writes poems by climbing on a typewriter and jumping head-first onto the keys. And Mehitabel is an alley cat who claims to have once been Cleopatra, and Don Marquis wrote these beautiful, funny, strange, mocking, glorious little poems about Archy and Mehitabel.”

Gaiman has won numerous international awards for his fantasy writing, including Carnegie and Newberry medals, so who better to lead off a video series featuring the wit and wisdom of a world-weary cockroach and a dissolute alley cat?

A few months ago, Gaiman was one of several writers, entertainers and other public figures asked to recite a few lines from one of the Archy and Mehitabel compilations (there are six) for a series of short, homemade videos on the occasion of the 100th anniversary of Archy and Mehitabel’s first appearance in print, on March 29, 1916 — part of a yearlong celebration called archyFest. Gaiman responded to the call immediately and enthusiastically, and the video below is the result.

Given the choice to read any of more that 300 published sketches and poems, Gaiman chose an obscure but brilliant sketch, “quote buns by great men quote,” from the 1927 book that started it all, “archy and mehitabel.” He explains:

I don’t know if this is my favorite of the Archy and Mehitabel poems. I do know that I fell in love with it before I actually understood what it meant. When I was a boy at school, a ‘bun’ was a large, doughy bread roll with raisins in it that you’d be given at four o’clock at school, and it was many, many years before I discovered that a bun was also 1920s slang — for a hangover. 

Here is the video:

These videos were conceived by John Batteiger, creator of DonMarquis.com, and edited by Brandon Cuicchi. We are asking a variety of public figures to take a video of themselves reading a selection from one of Marquis’s “archy” books, using a cellphone camera or other simple video recorder. Our goal: “One take, no big production, all for fun.” We plan to present a new video every week (or so) through the end of 2016. If you or someone you know would be interested in recording a video, please contact Batteiger by email at johnbatt (at) me.com.

And thanks to Neil Gaiman for his gracious help and support!

Next week: Dave Barry!

It’s archyFest! 100 Years of Archy and Mehitabel!

archyfest logoIt was 100 years ago, on March 20, 1916, that Don Marquis added a fanciful bit of filler material to his daily newspaper column in The Evening Sun. He claimed that a cockroach had crawled onto his typewriter the night before and left a message by diving on the keys, one at a time. Many more messages would follow from the labors of Archy the cockroach, including wild tales of a neighborhood alley cat, Mehitabel. It was brilliant stuff, and it’s still with us today. Let’s celebrate!

Plans in New York City include performances of actor Gale McNeeley’s one-man show, “Archy and Mehitabel”; a walking tour of New York’s old Newspaper Row on Sunday, March 27; and a special gathering of Marquis fans on the evening of Tuesday, March 29, at Jimmy’s No. 43, a bar/restaurant in the East Village, where tales will be told, Archy poems will be sung, and toasts will be raised to Don Marquis, Archy and Mehitabel.

Further events and exhibits will take place throughout 2016, all under the banner of archyFest! See below for event details: Continue Reading →

Modern Mehitabels

"There's a dance in the old dame yet"The New York Times today printed obituaries for two women whose lives could not have been more dissimilar.

Janet Wolfe, 101, was a New York socialite, “gleeful gadabout” and friend to some of the most powerful and creative men of the last century. Federico Fellini made passes at her, The Times noted, and Orson Welles sawed her in half in a magic show. Holly Woodlawn, 69, was a transgender actress who starred in Andy Warhol’s 1970 underground film “Trash” and was the inspiration for Lou Reed’s epic ballad “Walk on the Wild Side.”

Wolfe and Woodlawn had little in common except a rebellious spirit, bold and unstoppable, and a determination to wring every bit of life out of their time on this planet. So it’s no surprise that The Times has compared both women to Mehitabel, the brassy, bawdy alley cat whose adventures were captured in Don Marquis’s classic 1927 collection of tall tales and light verse, “archy and mehitabel.” The comparisons span many decades but are nonetheless fresh. Continue Reading →

A New Look for Archy (Several, In Fact)

George Herriman’s drawings of Archy and Mehitabel brilliantly capture the spirit of their subjects: the inquisitive cockroach and the sassy, brassy alleycat. To many most readers, the drawings are as much a part of Archy and Mehitabel’s charm as Don Marquis’s stories about them.

But Herriman was just one of many artists to capture their magic. Edward Gorey drew Archy and Mehitabel, and so did cartoonists at The New Yorker and Collier’s magazines. Animators drew them in a feature film, and artists today continue to draw inspiration from cockroach and cat.

Here is a look at Archy the cockroach through the eyes and pens and pencils of 10 artists, drawn over the course of nine decades. Scroll further down the page for an up-close look at each of the images. And look for drawings of Mehitabel in a future post.

Archy the cockroach, as seen by 10 illustrators. This image is from www.DonMarquis.com.

Click on the thumbnail images below for full-size views: Continue Reading →

‘My Dear Miss Snook’ — An Incredible Letter

Letter to Vera SnookSome of Don Marquis’s most fantastic, imaginative pieces of writing never earned him a dime. They were the private letters he wrote to friends and strangers alike — long, winding affairs, full of whimsey and wild surmise, sometime punctuated with shockingly dark humor.

If you read a letter published on this site earlier this year, “My Dear Miss Hickman,” you get an idea of what I’m talking about. But perhaps no letter of Don’s can match the current submission: a five-page, single-spaced reply to the librarian of the Little Rock (Arkansas) Public Library, who had innocently inquired, in a letter dated February 7, 1927, if Don would please identify a sampling of his best works and also who did he regard as his contemporaries in the field of humor writing. The librarian, Vera J. Snook, was to give a talk at the library on “Wit and Wisdom of Modern Humorists,” and the date of the program, February 18, was fast approaching — less than two weeks away. Could Don help?

His reply sets a new standard for dark humor. Don’s letter was dated February 11, 1927, and before the end of the second paragraph he tells Miss Snook that she’s in over her head and can’t possibly complete her task in time, and her only recourse is suicide! He explores the pros and cons of various methods of suicide, while admitting that maybe there are a few other options still available to avoid giving that fast-approaching talk. A hastily arranged wedding, perhaps? Or maybe — c’mon, you knew this was coming — maybe she should just read Don’s letter to her audience at the library and be done with it.

This letter has never before been published. A carbon copy was found, along with Miss Snook’s polite missive, among the papers of Don’s biographer, Edward Anthony, in the special collections department of the University of Oregon library in Eugene. Phone calls to the Little Rock Public Library and searches of online databases and Arkansas newspaper archives have failed to provide the rest of the story: What did Miss Snook do? Was she shocked and appalled by Don’s outrageous suggestions? What did she tell her library audience?

We simply don’t know. There is a clue, however, that suggests Miss Snook wasn’t scared off by Don’s bold letter and may have enjoyed the exchange. A second letter from Don to Miss Snook is also among Anthony’s papers at the University of Oregon. It is dated a year later — March 30, 1928 — and in it Don answers several oddball questions that Miss Snook passed along presumably from a library patron. The letter is friendly and engaging and charmingly grumpy in spots, as if Don no longer needed to impress a trusted correspondent.

But back to the bilious letter that introduced Don to the apparently unflappable Vera J. Snook: Continue Reading →

A Stunning Dust Jacket by George Herriman

Dust jacket for "archys life of mehitabel"Some of the very best commercial artists of the early 20th century were called in to draw distinctive dust jackets and illustrations for Don Marquis’s books. E.W. Kemble, who illustrated Mark Twain’s “Adventures of Huckleberry Finn” and many of Joel Chandler Harris’s Uncle Remus books, also did the cover and inside artwork for Don’s first book, “Danny’s Own Story,” in 1912. Tony Sarg did the cover and inside art for “Prefaces” and “Noah an’ Jonah an’ Cap’n John Smith,” and John Held Jr. did a cover for “The Old Soak” as well as illustrations for several of Don’s feature pieces in The Sun. 

But none compares with the brilliant, iconic drawings for Don’s three Archy books by George Herriman. The creator of the quirky, beloved Krazy Kat comic strip produced 93 illustrations plus dust jackets for “archy and mehitabel,” “archys life of mehitabel” and “archy does his part.” Herriman’s cartoons are an integral part of the books, and we imagine that Archy and Mehitabel look exactly as Herriman drew them., 

Among the three Herriman dust jackets, one stands head and shoulders above the others. The cover for “archys life of mehitabel” is a riot of color and characters that only could have come from the creator of Krazy Kat. In fact, except for Mehitabel herself, none of the characters on the dust jacket are in the book at all; they’re straight out of Krazy Kat’s Coconino County. (Archy, for that matter is nowhere to be seen.)

Few people today have ever seen the dust jacket for “archys life of mehitabel.” The last hardback edition appeared in 1938, and as a rare-books catalog might note, it is “extremely scarce in jacket.”

Click on the photo above to open an enlarged image of George Herriman’s masterpiece. And enjoy.

*  *  *

The back story: Herriman’s covers were not the first to appear on two of the three Archy books. The first edition of “archy and mehitabel” appeared in 1927 with a stunning, minimalist cover by an artist identified only as “J.W.” It was replaced, for one printing only, with 20 thumbnail-size Herriman cartoons in 1930, before a full-size Herriman illustration was put on the cover, also in 1930. It shows Mehitabel in a garbage can, eating a sardine, while Archy types furiously on a small typewriter. This dust jacket  appeared from 1930 to 1943 before it was replaced with another Herriman drawing.

The first-edition cover of “archys life of mehitabel,” in 1933, had a drawing of Mehitabel by the artist “Jay.” It was replaced later that year by the cover above. The final book in the trilogy, “archy does his part,” in 1935, was the only one to have an Herriman drawing on the cover from the first edition through the last (the fourth printing, in 1936). It shows Mehitabel peering through a brick wall at Archy, clearly both at home in Coconino County.

Photos of all the covers will be coming soon.

Three Archy books

Happy Birthday Don Marquis!

Caricature of Don Marquis by Tony SargToday is the birthday of Don Marquis — born Robert Perry Marquis on July 29, 1878, and given the nickname Don when he was a small child. The nickname stuck, and then it doubled in size in 1909 when his fiancee, Reina Melcher, sent out wedding invitations and assumed that Don was short for Donald. The new name also held, although only on formal occasions. Don was simply “Don” to his many friends.

Don was born and raised in Walnut, Illinois, a small, dusty town on the Midwestern prairie. Walnut, he wrote, is “one of those towns that prop two cornfields apart.” Don was known for telling tall tales, and perhaps one of them — or perhaps not; who can say for sure? — was his claim that he was born during a solar eclipse, which he believed had imported some special significance to his life, although he could never find direct evidence of that.

You can read much more about Don in the page on this website titled “His Life and Times.” Suffice it here to simply join other folks in wishing a hearty happy birthday — number 137! — to the spirit of a writer who made untold numbers of people take a moment out of their busy, difficult lives and laugh. And keep on laughing today. Here’s to the jesters! Happy birthday, Don!

P.S. My favorite biographical description was by Don himself, written in 1916 at the request of a young writer and admirer, Christopher Morley. If you haven’t read it before, please take a look.

(The illustration accompanying this post is by the great Tony Sarg, one of the most in-demand illustrators in the 19-teens and ’20s. His whimsical drawings can also be found in Don’s 1919 book, “Prefaces.”)

Musicians: Marquis-Based Compositions Are Waiting

FrustrationThe sad truth is this: The editor of DonMarquis.com has absolutely zero musical abilities. He can’t read a note of music, and he probably couldn’t play a player piano if he could even find one.

This is a shame, because two songs based on light verses by Don Marquis have been written by a world-renowned composer and are waiting to be heard and enjoyed, but they need someone to perform them.

“A Seaside Romance” and “Frustration” are short, silly poems in Don’s 1921 book “Noah an’ Jonah an’ Cap’n John Smith.” They were set to music (for piano and tenor) in 2010 and 2011 respectively by Gary Bachlund, who won fame as an opera singer in the 1980s (Carnegie Hall, Metropolitan Opera, etc.) before switching to composition.  Continue Reading →